Gives you multiple options. Theres a little bit of a longer delay time required in this, so you may want to tap in the tempo if your pedal allows that. It has some great stacking possibilities. The Eventide H9 is another option that I actually have on my personal board. Now this is big. Thanks for sharing your experiences, I just got my copy of the RYRA Klone, excited to find the sweet spot! 7 Types Of Overdrive Pedal For Killer Blues Tones So the VLSDM stayed on my "light" board. The JHS Angry Charlie V3 channel drive pedal captures the essence of the legendary Marshall JCM800, turning your guitar amp into a sonic flamethrower. Tried and time tested legendary pedal Excellent condition Made In Japan by Ibanez Fully tested and work as it should.. Originally produced by Bill Finnegan between 1994 and 2000, getting your hands on one of the original units could set you back over 1,000. I've tried stacking overdrives, but they kept falling over, so now I just place them side by side. Have you ever used more than one distortion pedal at a time? Electric Guitar Gibson Fender Ibanez Yamaha PRS Guitar . I prefer an analog delay as the quarter note front, and then I like a nice digital delay for the dotted eighth repeats. Might not be the awnser that you are expecting , but do you have a good amp? The possibilities are endless. Stacking "Klone" - Telecaster Guitar Forum I typically break that rule every time I combine tremolo and reverb. These are great for making a lead stand out or tightening up a chunky rhythm sound. For me, I consider it an always . So mess with the knobs. Most of the time the pedal for a clean boost for leads is after all dirt.. ( still before the klon, imo ) Try it both ways: TS>Timmy>Katana>Klon to use the Katana as a clean boost. Stacking Klon, Timmy, Ts808hw and Keeley Katana | The Gear Page And when you stack them, the fuzz suddenly peeks its head out from that crazy mix. Then theres The Pearl by T1M and The Browne Amplification Protein, which has a Bluesbreaker-style circuit (similar to the Morning Glory) into a Nobles-style circuit, which is a type of Screamer Klon. Most recognizable dirt tones and many amplifiers heck, entire setups can be recreated simply by combining a few drive pedals together and learning how to make them mesh well. Original models of the Klon have now become some of the most sought after guitar pedals ever made. Private Music Rehearsal Studio for Sale in Los Angeles, CA - OfferUp Seriously though, I do it all the time. It is a more musical-sounding overdrive that blends in beautifully with amplifier crunch - perfect for when youneed even more harmonic complexity. Amazon.com: Blucoil 9V 670mA Power Supply with Slim US Plug AC Adapter A few of these even fall into the category of "legendary tones," having appeared on many famous records in the classic rock canon. Best Electric Guitar Pedals | Spring 2023, Celebrating Earth Day: Sweetwater's Commitment to Sustainability & Social Responsibility, Shop the Rig! I personally like klons early on before other pedals. Honestly the Timmy isn't needed in that situation, as the BE-OD is one nasty pedal with major "tude". I just got through messing around running a Soul Food into an OCD V2. Cookie Notice Everyone gets a Klon because it's mystical and hard to get, and they use it as a clean boost, which I don't understand. Learn More. You have this repeat falling with the rhythm of how you're playing, and then you add a modulated reverb. I hope this primer on stacking distortion pedals helps you find more sounds that inspire you to create more music. Try adding gain with only one pedal at a time and dont be afraid to defy conventional arrangements by switching your pedal order around. I can't say enough about it. These dynamic duos make an excellent place to start stacking, as they are generally a foolproof method of getting great tones right off the bat, and they can provide an excellent foundation for future tone experiments. From there I have three options to pick and choose from depending on the kind of dirty sound I'm looking for. If you want to add another tone to your board, look for pedals that will complement the tones you already have. While painfully incomplete, hopefully it will give you some info for practical application and serve as a jumping-off point. As for those that have a contrary opinionI can't do anything about your tin ears, which is what you would have to have to make the claim that these pedals sound nothing alike. It kind of has a scoop and a lot of people complain, Dude, I turned my Big Muff on, but we're in a band setting and I disappear out of the mix. Which 100% makes sense, honestly, because mids are super important to make you stand out in that mix. MXR also makes the Sub Machine and the MXR Blue Box, so you have plenty of options here. It does not nail the klon nor is it suppose to. Is there any better bang for the buck in a new guitar than this. Are there more or less mids? Thanks for all the help. While the concept is simple, the details make all the difference. The words Fender, Telecaster, Stratocaster and the associated headstock designs are registered trademarks of the Fender Musical Instruments Corporation. Lace pick ups Gold powered by an active MDX mid-boost circuit with 25 dB of gain and TBX tone controls, Gold hardware. This is a really good go-to combo. I even made a double boost/overdrive pedal, the Kirkland Signature Boost, which John Mayer has had on his pedalboard forever. Seriously, just try them both ways and see what you like. Today, were putting together some truly great pedal stacking combinations. aguilar DB-8-10" bass cabinet made in USA - $1,250 (Pasadena) The Timmy has a more versatile EQ section, but sonically they have very similar signatures. The key to a perfect drive stack is to pay attention to your EQ. Might be interested in a bass guitar trade I just Down sized my bass rig so this is up for grabs . The original Klon employed traditional through-hole parts. A Beginners Guide to Stacking Drive Pedals. Starting with a clean amp sound will offer more variety and flexibility if youre stacking gain pedals; the differences will be more audible. Learn More, We understand the importance of online privacy and are committed to complying with the EU General Data Protection Regulation. Mar 20, 2016 at 6:11am Christopher said: The BB would go well w the Timmy and has a lot of gain on tap if needed. Clavey paddle sports petaluma blvd s petaluma ca. The Timmy has the gain at about just under 10 0 clock - just enough to add some warmth, a touch of grit when I strum real hard. So, Big Muff into a Tube Screamer. You are using an out of date browser. Used (normal wear), Play where the pros play! When you combine two boost pedals, in a sense it does the same thing, but you get infinite tweakability. There are a vast array of drive pedals on the market, and with a little forethought and experimentation, there is almost no limit to the types of tones you can achive. Mooer's Blues Crab should be a solid budget option. I hate it as a clean boost. One option is to set them up to be multiple gain stages. Turn the pedal on and play the same chord. Exclusive deals, delivered straight to your inbox. well theres ONE of you saying that they are 'tonaly' the same and about 5 of us saying that they are made to do somewhat similar things but they are not compairable in anyway. Now, this is obvious because companies like myself have made pedals that combine these into one, like my Double Barrel that has the Morning Glory and a Tube Screamer. You take the octave pedal, and you put it before a big fuzz pedal. It's the one that really frustrates your neighbors and makes everyone in your house hate you. I mostly use the amps in church, at home I'm using an Ac4tv. That's what you need to try. When they combine, you hear the quarter note hit the dotted eight, like a rhythmic punch into each other. Sep 2, 2016. See signal flow here in attached PNG. Both of my boards have four OD pedals with a Timmy being the first in the chain. Kino treebud 24F HSH Ash Trans Black. Its just music. New CLR 3-way switch. If the OCD is bassy, two gives you bass on top of bass. Klon (or Klone) > Timmy Even if you opted to do it like that, it would sound different depending on the settings. Finding the optimum gain staging between pedals is important. Ive been feeling like the cm2 for a few months now. When I tested this out at the studio, I used the Walrus ARP-87 and my Panther Cub. I vote used dod 250. Listen to the EQ differences in the two sounds. (continue with the douch bag and asshole comments!). Last edited: May 24, 2021. Overdrive/distortion that stacks well with Timmy? | Z-Talk Also, I explained how to sync two delays earlier, but there are a lot of pedals out there that have that multiple delay settings built in, like the DD-500 from BOSS. **For reference, the case is bigger than my head. so its nice that you think you know what you are talking about mr 'ive worked in fields.'. Mimic, HSH to SSS and SSH (board little Mind). If you want to see the reason this is cool, turn the drive knob up. Reddit and its partners use cookies and similar technologies to provide you with a better experience. Stull trying to dial in a decent boost tone. Mohammad akhter md. YouTube and various guitar forums can be helpful when embarking on a stacking adventure, but the only sure fire way to determine if two pedals are going to play well in your rig is by hooking them up on your pedalboard, stomping on switches, turning some knobs, and listening. You will be surprised by how much your tone is altered by each small change. I was never terribly enamored of the added saturation the boost added to the Tim--more over-caffeinated OD than distortion. I like the Death by Audio Fuzz War, just because it sounds as big as the case looks.**. If you have any questions about drive stacking or pedals, give your Sweetwater Sales Engineer a call at (800) 222-4700. These are my tried-and-true pedal stacking combinations, but I want to make it clear that these are not hard, fast rules. The reason I use the light gain overdrive is because I like having my first stage overdrive with no mid peak in it. He is also the first-call session guitarist for Sweetwater Studios. This topic is now archived and is closed to further replies. Designed in collaboration with Joey Landreth, the Golden Boy is an end-all BB-style pedal. It is a little dark, especially with humbuckers, so I use the tim to take away a bit of bass sometimes, and it helps the pedal cut through better. Since you already get a lot of the mids with this set up, turn the drive down low. Powered by Invision Community. Hey! Here are a handful of perfect pedal pairs for creative tone stacking. To figure out what your pedal sounds like, try these steps: Start with the EQ controls set to flat (typically 12:00). So, just like the amp, the reverb is before the tremolo. Just be sure if you're using a multi-effect delay or reverb that it does let you stack multiple delays. Are you using the Klon (Hi Gain / Hi Volume) to overdrive the Timmy (Gain wherever / Volume as Master) OR using the Timmy (Low Gain / High Volume) to increase the volume of the Klon (Gain wherever / Low Volume)? OCD stacking | Fender Stratocaster Guitar Forum You can also shape it a bit more than you can the OCD with the EQ. big muff - Browne Amplification Carbon $219+ | Click title for video. Ive always really liked the rat when ever Ive tried it and the price is right. Don't have that exact set-up, but i have a FullDrive2 -> Timmy which is somewhat comparable (with the FD analogous to the TS and the Timmy to the Klone). 6. IMHO the timmy sounds like a good pedal (not what Im looking for in a boosting/od effect) the KLON sounds like its part of your amp.. paul cochrane makes some nice gear man- had the tim (which is just a timmy with an effects loop).. the KoT gets alot farther that the tim got me in all aspects.. the klon is not worth the 6-7 they are going for on ebay but they are worth the 344 that bill sells them for!! The TIM I had could get some of the sounds A/B'd direclty with a klon and vice versa (gritty boost, fat clean boost) BUT they are different in too many aspects to really be comparable. It is a very nice boost which you can then dial in the amount of grit you want. To give yourself a different set of sounds, start with a pedal that has the tonal characteristics of a specific amp, ideally one that is different from your amp. You just made a DIY overdrive. The Tim vs Timmy dilemma - Gearspace.com To be heard. Turn your old gear into new gear with the Sweetwater Gear Exchange! If you try this, you'll be really, really surprised. Tried and time tested legendary pedal Excellent condition Made In Japan by Ibanez Fully tested and work as it should. Most of the time the pedal for a clean boost for leads is after all dirt.. ( still before the klon, imo ). Ah that was just what I was wondering cause I read a lot of threads mentioning that the Klon makes everything after it sound much better. There are a lot of different ways to do it, so experimentation is encouraged. For the reverb and tremolo, the Strymon Flint is really great. Is there any better bang for the buck in a new guitar than this. A common scenario is a clean amp with a light gain pedal followed by a heavier gain pedal. So I crank the drive knob up to 75%, I put the treble/tone control at noon, and then I adjust the volume accordingly, and I have a beautiful second stage breakup that's rich and full of mids. Pedals/Effects Anyone use a Nobels ODR-1? - Blues Guitar Unleashed Any suggestions would be greatly appreciated as to which order makes more sense in general. How does it sound? Virginia. The overdrive is what I use 90% of the time, with my boosting being handled by an RC Booster. So having the Klon after the dirt pedals will allow more of it's character to come through? Some pedals are great at specific jobs. Reversing this setup can also be cool, with the DD-3 first and the Carbon Copy set for longer repeats. A clean boost can be used as gain boost in front of an overdrive pedal or a volume boost if placed after. All controversy and cost issues aside, the Klon Centaur is a spectacular pedal for stacking. How do you like it? Although I'd admit I owned the TIM (not the Timmy). The key to making this combination work is setting the gain and Volume on each pedal modestly, and running it into a relatively clean amp. On my main board I actually stack the Timmy with a Soul Food and a Plimsoul for a really nifty rockin' type of tone where I can roll back my volume knob for different levels of OD. Electric Guitar. . This thread may have run its course, but IMHO, the two sounded more dis-similar than similar. The first and most important stacking method that I use and have always used is taking a light gain overdrive, like the Morning Glory, and stacking it with a Tube Screamer. Works great. I have no idea. Doesn't quite answer your question but I have an OCD version 1.7 + 2.0. On any pedal board I have, I set this pedal to a light breakup and never turn it off; I keep it as a stage one overdrive, almost a natural part of my amps sound. EVH Eddie Van Halen USA $3,298 | Musical Instruments | Los Angeles, CA Now, what I like to do is take a big ol ambient reverb, like the Old Blood Noise Dark Star. fender original tele 50s, 24 These are just things that I stumbled into, things that I was inspired to do by artists that I love. Even in the simplest rigs, there are a lot of considerations. It does a lot of crazy stuff, but I'm going to just set it as a big ambient wash. Then I'm going to take one of my Kodiak tremolos, and I'm just going to let it pulse and trim the decay of the reverb and the clean signal. The trick, though, is to make it work well. Some people use a Tube Screamer. However, the concept can work with a dirty amp too. Def keeping the OCD but 2 of the other three are gonna probably go off to Reverbland. 2,520. eBay item number: 304918709122. From there I have three options to pick and choose from depending on the kind of dirty sound . I'm already in the possession of a TS808 and I'm (happily) running it into an OCDv2. More volume and it will produce more gain and different reactions from the other od's. I just got a Timmy for a steal and was trying to figure out how to fit it in with my Klon. It's awesome for clean tones. The Timmy has the gain at about just under 10 0 clock - just enough to add some warmth, a touch of grit when I strum real hard. There is a clear top-end chime and warmth in the midrange. After all, its all too easy to throw some pedals into the mix and find that, even with top-shelf effects, your tone becomes bloated, oversaturated and uninspiring. For rocking out your overdrive and distortion with the same pedal, you can always go back to the old classic: Jekyll and Hyde. You must log in or register to reply here. I really like my TS into my OCD. For example, a blackface 65 Fender Princeton already has the reverb and tremolo effects built in. All drive pedals have an inherent sound and EQ curve. Reactions: snarf. However you slice it, its important to consider what you already have to make smart stacking decisions. Are the highs the same? I picked these pedals because they are widely known and commonly available, but just about any blend of analog (or simulated analog) and digital delay will do the trick. Gite d'etape communal le monastier sur gazeille. A setting that works well on its own might not be the best setting when stacked. 1995-2022 Harmony Central, Inc. All rights reserved. Privacy Policy. Everyone gets a Klon because it's mystical and hard to get, and they use it as a clean boost, which I don't understand. Strat Talk is the leading online community and marketplace for Stratocaster guitars. Running a Tube Screamer into a RAT can yield a thick, harmonically delicious crunch when driven by the guitar's bridge pickup, or a creamy, endlessly sustaining "woman tone" when the neck pickup is engaged. They probably were referring to the fact that the Timmy can be set for a clean boost. Gilmour is famous for gently prodding his Big Muffs with a variety of boost and drive pedals, but the most highly regarded of these combinations is probably a ram's head-era Big Muff running into a Colorsound Power Boost. SALE!!! Rickenbacker 360/12 - musical instruments - by dealer - sale Plugging pedals into other pedals is tremendous fun. That's part of the fun of it. 98 Fender Stratocaster masterbult custom shop one kind one off $5,197 TDPRI, short for Telecaster Discussion Page Reissue, is the leading online community and marketplace for Telecaster guitars. Some of the add-ons on this site are powered by. Next up is a fun one. Do your homework before buying. When I stack, I don't like to stack the same pedal- too much of the same frequencies. If you have this setup, try it. Turn the volume up, and turn the treble up so the mids comp a little bit with the treble. It's something that you absolutely have to try: tremolo and reverb. But, you might be on the wrong forum for this question. It's rich, it's thick, it's all the things you love about the Big Muff, but it's just stronger and better. A boost will also typically color the tone less than an overdrive, IME. Mayweather vs guerrero memes. Use a lot of subs, like 75% sub octave and a little bit of high octave, which helps replicate the OT-10 setting. I think this is going to help you be heard. For example, assuming that you are largely happy with your tone as it stands, consider trying a low-gain overdrive to add subtle grit and character. Three-band EQ, cycle-able gain stages, four clipping diode voicings, internal presence and tone controls, and a footswitchable MOSFET boost make this the most versatile Blues Breaker on the market. Literally, you could spend the rest of your life trying combinations. 98499 Hours: Week Days 11:00am to 6:00pm Week Ends Noon to 5:00pm Other times available by appointment call 360-701-8795 EUR Okay, in context he may have been talking about donuts, not guitars, but my point still stands. This next one has been around for a while, since before people even started stacking pedals. Gives me 80s NWOBHM tones all day, Strymon OB1 (compressor includes clean boost as a 2nd footswitch) -> MXR Distortion III -> Blues Driver. Power Your Creativity . It's really beautiful. im not challenging you to do anything man.. simply said- call paul and bill ask them what their circuits are based on.
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